A theatre show with objects, Interior Noche uses the countryside as its setting to make impossible patterns out of timeframes. It’s a mixture, among other things, of stage time (the performance takes whatever time it needs, and is structured into different scenes and plastic images that are designed to match the pace) and social time (for example, with references to the space that we relate to vacations, with the action of ‘letting time pass’).
Defending contemplation as an act of political resistance, Serrucho offers us a practical workshop on slow observation, and a dramaturgy made up of visual gags and situations that expose the absurd obsession with efficiency of such a hysterical capitalism as our own.